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Notes for my final thesis on the future of music distribution. Find out more about me on my blog at BasBasBas.com.

Contact me on Twitter @Spartz.

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Interesting Twitter People

Dave Kusek
The author of a book titled "The Future of Music". Dave gives courses on the Future of Music and the Music Business at the Berklee College of Music.

Gerd Leonhard
Gerd's one of the foremost experts on the future of media and talks about Music Like Water.

Miro Gechev
Producer and owner of the 2AM music label that I'm working for. In short: my boss.

Thomas Schinabeck
Thomas is writing a Ph.D. about the impact of the digitalisation on the media industry.


1 April 09
29 March 09
18 March 09
Music Uses Expanding
This image depicts how the different uses of music have expanded from old media to new media. Good job, by Indie Music, Inc.

Music Uses Expanding

This image depicts how the different uses of music have expanded from old media to new media. Good job, by Indie Music, Inc.

15 March 09
23 February 09
CNN’s ‘Fortune’ blog is reporting about how Facebook is taking over our lives (found via @ozgurkocca). In the above graphic it shows the adoption rate of new technologies. Note that it took 84 years longer for telephone to get used by 150 million people than Facebook. I’ve heard futurist, biologist, immortality researcher and arguably transhumanist Aubrey De Grey say before that technology advances exponentially, which he used as an argument supporting his notion that current newborns could live up to 500 years.
What does this all mean for music distribution? Could we get to a point where there’s no longer such a thing as ‘distribution’ regarding digital content? It just ‘is’ and finds you when you need it, instead of you having to find it yourself… What do you think this exponentiality of technological advancement means for the future of music distribution? Can we phathom what the future holds in store for us even ten years from now?

CNN’s ‘Fortune’ blog is reporting about how Facebook is taking over our lives (found via @ozgurkocca). In the above graphic it shows the adoption rate of new technologies. Note that it took 84 years longer for telephone to get used by 150 million people than Facebook. I’ve heard futurist, biologist, immortality researcher and arguably transhumanist Aubrey De Grey say before that technology advances exponentially, which he used as an argument supporting his notion that current newborns could live up to 500 years.

What does this all mean for music distribution? Could we get to a point where there’s no longer such a thing as ‘distribution’ regarding digital content? It just ‘is’ and finds you when you need it, instead of you having to find it yourself… What do you think this exponentiality of technological advancement means for the future of music distribution? Can we phathom what the future holds in store for us even ten years from now?

22 February 09

Internet Users and TV Audiences: Differences on Genres, Motives, and Perceptions

Some selected quotes from an academic paper titled as above, by Searle Huh (second from above), who has a B.A. and M.A. in Mass Communication at Yonsei University in Seoul and an M.A. in Communication at Michigan State University.

The fact that Internet exists with TV simultaneously even after over ten years of invention implies that Internet is not a perfect functional substitute for TV.” (p. 1)

In the light of the future of music distribution, this means that we’re not even close to YouTube (for instance) as a replacement for MTV or other music channels.

Whenever a new medium appears, old media usually has been a target to be reconsidered for their fates, that is, survival and death. This question is not different from whether a new medium substitutes old media completely or partially, or has no impact on them.” (p. 3)

“Second, a new medium must have one of the following advantages: “superior content, technical benefits, and cost efficiency” (Lin, 2001).” (p. 3)

Clipped from page 5. Click to enlarge.

“Internet is more preferable for rational or cognitive uses while TV is more preferable for emotional or ritual uses.” (p. 23)

Heavy use of a medium does not change whole factors related to the use of the given medium. Although people spend more time on a medium, the high frequency of use does not necessarily lead so called ‘all or nothing’ strategy to be adapted to changed media environment.” (p. 23)

These findings must be considered in targeting fans, listeners or potential fans and listeners. High volume consumers of TV or of Internet, don’t necessarily spend less time on the other medium because of that. It’s very possible they can be reached through both media.


The whole document by Searle Huh, Internet Users and TV Audiences, can be found here. You can also get it as a PDF over there.

Also have a look at his paper on Online Game Addiction (.doc file), in collaboration with Nicholas David Bowman.

Was notified about the document by Len, via StumbleUpon. Thanks, mate!

14 February 09
9 February 09
Clipped from Gerd Leonhard’s Music 2.0.

Clipped from Gerd Leonhard’s Music 2.0.

Themed by Hunson. Originally by Josh