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Notes for my final thesis on the future of music distribution. Find out more about me on my blog at BasBasBas.com.

Contact me on Twitter @Spartz.

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Interesting Twitter People

Dave Kusek
The author of a book titled "The Future of Music". Dave gives courses on the Future of Music and the Music Business at the Berklee College of Music.

Gerd Leonhard
Gerd's one of the foremost experts on the future of media and talks about Music Like Water.

Miro Gechev
Producer and owner of the 2AM music label that I'm working for. In short: my boss.

Thomas Schinabeck
Thomas is writing a Ph.D. about the impact of the digitalisation on the media industry.


29 March 09
Streaming music startups don’t want more people using their service, because they lose money from every one of them, and the perceived success from having more users makes it harder for them to plead with the labels to give them better deals.
— Michael Arrington, The Sorry State of Music Startups
15 March 09
4 March 09
24 February 09
The above image shows some replies to an article talking about EMI calling for ‘music pirates’ to be unplugged by their ISPs. These are your customers. Market to them. Don’t make them angry.
EMI, Warner, Universal and Sony have already had some success in Ireland:

“In a settlement between record companies EMI, Sony, Universal, Warner and  Ireland’s largest ISP, Eircom has agreed to work with the record industry to  combat illegal downloading.
The Irish Recorded Music Association (IRMA), which represents the major music groups, is to begin compiling lists of web sites that it claims are damaging its business.
IRMA will then apply for a court order, requiring Eircom and other internet  providers to block access to these sites.Eircom will then not contest any court order, meaning that the requests are automatically granted. “We have said we would not oppose an action to the courts,” said a spokesman for Eircom.”

Source: Zeropaid.
Apparently this comes in addition to a “three strikes, you’re out” measure already taken. So the four major labels have been ‘successful’, although it remains to be seen if their actions will actually lead to more profit or not. There have been previous studies which pointed out so-called ‘piracy’ actually stimulates record sales & revenue from live events.
To be fair, EMI is really trying to embrace technology, as they are the first to make use of iTunes Pass new ‘fan’ system (press release here). They’re comfortable with traditional ways of of making money through new media - how about new ways of making money through new media.
Instead of using that powerful lobby to target customers, imagine what type of money it could bring in if they licensed the ISPs. Pressure the government to make new laws, so that you don’t have to take down innocent websites and unplug users.
But we’ll see how that goes. Popular torrent tracker The Pirate Bay is on trial now and prosecution’s having a very hard time.

The above image shows some replies to an article talking about EMI calling for ‘music pirates’ to be unplugged by their ISPs. These are your customers. Market to them. Don’t make them angry.

EMI, Warner, Universal and Sony have already had some success in Ireland:

“In a settlement between record companies EMI, Sony, Universal, Warner and Ireland’s largest ISP, Eircom has agreed to work with the record industry to combat illegal downloading.

The Irish Recorded Music Association (IRMA), which represents the major music groups, is to begin compiling lists of web sites that it claims are damaging its business.

IRMA will then apply for a court order, requiring Eircom and other internet providers to block access to these sites.

Eircom will then not contest any court order, meaning that the requests are automatically granted. “We have said we would not oppose an action to the courts,” said a spokesman for Eircom.”

Source: Zeropaid.

Apparently this comes in addition to a “three strikes, you’re out” measure already taken. So the four major labels have been ‘successful’, although it remains to be seen if their actions will actually lead to more profit or not. There have been previous studies which pointed out so-called ‘piracy’ actually stimulates record sales & revenue from live events.

To be fair, EMI is really trying to embrace technology, as they are the first to make use of iTunes Pass new ‘fan’ system (press release here). They’re comfortable with traditional ways of of making money through new media - how about new ways of making money through new media.

Instead of using that powerful lobby to target customers, imagine what type of money it could bring in if they licensed the ISPs. Pressure the government to make new laws, so that you don’t have to take down innocent websites and unplug users.

But we’ll see how that goes. Popular torrent tracker The Pirate Bay is on trial now and prosecution’s having a very hard time.

23 February 09
CNN’s ‘Fortune’ blog is reporting about how Facebook is taking over our lives (found via @ozgurkocca). In the above graphic it shows the adoption rate of new technologies. Note that it took 84 years longer for telephone to get used by 150 million people than Facebook. I’ve heard futurist, biologist, immortality researcher and arguably transhumanist Aubrey De Grey say before that technology advances exponentially, which he used as an argument supporting his notion that current newborns could live up to 500 years.
What does this all mean for music distribution? Could we get to a point where there’s no longer such a thing as ‘distribution’ regarding digital content? It just ‘is’ and finds you when you need it, instead of you having to find it yourself… What do you think this exponentiality of technological advancement means for the future of music distribution? Can we phathom what the future holds in store for us even ten years from now?

CNN’s ‘Fortune’ blog is reporting about how Facebook is taking over our lives (found via @ozgurkocca). In the above graphic it shows the adoption rate of new technologies. Note that it took 84 years longer for telephone to get used by 150 million people than Facebook. I’ve heard futurist, biologist, immortality researcher and arguably transhumanist Aubrey De Grey say before that technology advances exponentially, which he used as an argument supporting his notion that current newborns could live up to 500 years.

What does this all mean for music distribution? Could we get to a point where there’s no longer such a thing as ‘distribution’ regarding digital content? It just ‘is’ and finds you when you need it, instead of you having to find it yourself… What do you think this exponentiality of technological advancement means for the future of music distribution? Can we phathom what the future holds in store for us even ten years from now?

20 February 09
Posted: 11:32 AM
Digital Music Distribution service Routenote does some research into digital music sales and blogs about Digital Music Stores Compared. The big three compared: Amazon, iTunes and eMusic.

Digital Music Distribution service Routenote does some research into digital music sales and blogs about Digital Music Stores Compared. The big three compared: Amazon, iTunes and eMusic.

Posted: 10:36 AM
Tags: new media
Posted: 9:57 AM
Themed by Hunson. Originally by Josh