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Notes for my final thesis on the future of music distribution. Find out more about me on my blog at BasBasBas.com.

Contact me on Twitter @Spartz.

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Twittering

Interesting Twitter People

Dave Kusek
The author of a book titled "The Future of Music". Dave gives courses on the Future of Music and the Music Business at the Berklee College of Music.

Gerd Leonhard
Gerd's one of the foremost experts on the future of media and talks about Music Like Water.

Miro Gechev
Producer and owner of the 2AM music label that I'm working for. In short: my boss.

Thomas Schinabeck
Thomas is writing a Ph.D. about the impact of the digitalisation on the media industry.


1 April 09
Posted: 10:37 AM
Brought to my attention by @mirogee. Who owns who in the record industry. Wonder if it’s still up to date.
It’s a bit err… ‘politicized’ though. Oh, and ancient it seems.

Brought to my attention by @mirogee. Who owns who in the record industry. Wonder if it’s still up to date.

It’s a bit err… ‘politicized’ though. Oh, and ancient it seems.

29 March 09
Posted: 9:58 PM
Streaming music startups don’t want more people using their service, because they lose money from every one of them, and the perceived success from having more users makes it harder for them to plead with the labels to give them better deals.
— Michael Arrington, The Sorry State of Music Startups
25 March 09

This is my interview about the future of music distribution with Gerd Leonhard, one of the foremost media futurists. You can also get it as an MP3.

Thanks to Miro Gechev for the technical side of some things. ;-)

13 March 09
27 February 09

“Reports had claimed that Eminem wanted over £800,000 from Universal and that he argued money from iTunes and other download services should fall under “licensing” agreements in his contract not “distribution”.

If the court case did, in fact, go ahead, it would set a precedent for other artists as it is exploring the definition of digital royalties.

At present, when a song or ringtone is bought online, the artist receives a royalty. The amount of this royalty is initially decided following a contract between labels and artists. For many artists, however, that digital royalty is not clearly defined, and, added to that, many of the contracts predate the upturn of digital music sales.”

— Signs of a changing media landscape: Eminem accused of suing Universal Music over unpaid royalties (UK Telegraph)
25 February 09
Posted: 6:02 PM
Posted: 5:51 PM

“Extraordinarily, it is in the US, the world’s largest music market, that has traditionally championed intellectual property rights, that performers and producers have no rights to be paid when their music is broadcast over the radio.”

Clipped from IFPI’s Digital Music Report 2009.

“Extraordinarily, it is in the US, the world’s largest music market, that has traditionally championed intellectual property rights, that performers and producers have no rights to be paid when their music is broadcast over the radio.”

Clipped from IFPI’s Digital Music Report 2009.

Themed by Hunson. Originally by Josh