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Notes for my final thesis on the future of music distribution. Find out more about me on my blog at BasBasBas.com.

Contact me on Twitter @Spartz.

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Twittering

Interesting Twitter People

Dave Kusek
The author of a book titled "The Future of Music". Dave gives courses on the Future of Music and the Music Business at the Berklee College of Music.

Gerd Leonhard
Gerd's one of the foremost experts on the future of media and talks about Music Like Water.

Miro Gechev
Producer and owner of the 2AM music label that I'm working for. In short: my boss.

Thomas Schinabeck
Thomas is writing a Ph.D. about the impact of the digitalisation on the media industry.


27 February 09

“Reports had claimed that Eminem wanted over £800,000 from Universal and that he argued money from iTunes and other download services should fall under “licensing” agreements in his contract not “distribution”.

If the court case did, in fact, go ahead, it would set a precedent for other artists as it is exploring the definition of digital royalties.

At present, when a song or ringtone is bought online, the artist receives a royalty. The amount of this royalty is initially decided following a contract between labels and artists. For many artists, however, that digital royalty is not clearly defined, and, added to that, many of the contracts predate the upturn of digital music sales.”

— Signs of a changing media landscape: Eminem accused of suing Universal Music over unpaid royalties (UK Telegraph)
23 February 09
CNN’s ‘Fortune’ blog is reporting about how Facebook is taking over our lives (found via @ozgurkocca). In the above graphic it shows the adoption rate of new technologies. Note that it took 84 years longer for telephone to get used by 150 million people than Facebook. I’ve heard futurist, biologist, immortality researcher and arguably transhumanist Aubrey De Grey say before that technology advances exponentially, which he used as an argument supporting his notion that current newborns could live up to 500 years.
What does this all mean for music distribution? Could we get to a point where there’s no longer such a thing as ‘distribution’ regarding digital content? It just ‘is’ and finds you when you need it, instead of you having to find it yourself… What do you think this exponentiality of technological advancement means for the future of music distribution? Can we phathom what the future holds in store for us even ten years from now?

CNN’s ‘Fortune’ blog is reporting about how Facebook is taking over our lives (found via @ozgurkocca). In the above graphic it shows the adoption rate of new technologies. Note that it took 84 years longer for telephone to get used by 150 million people than Facebook. I’ve heard futurist, biologist, immortality researcher and arguably transhumanist Aubrey De Grey say before that technology advances exponentially, which he used as an argument supporting his notion that current newborns could live up to 500 years.

What does this all mean for music distribution? Could we get to a point where there’s no longer such a thing as ‘distribution’ regarding digital content? It just ‘is’ and finds you when you need it, instead of you having to find it yourself… What do you think this exponentiality of technological advancement means for the future of music distribution? Can we phathom what the future holds in store for us even ten years from now?

20 February 09
Digital Music Distribution service Routenote does some research into digital music sales and blogs about Digital Music Stores Compared. The big three compared: Amazon, iTunes and eMusic.

Digital Music Distribution service Routenote does some research into digital music sales and blogs about Digital Music Stores Compared. The big three compared: Amazon, iTunes and eMusic.

12 February 09
11 February 09
9 February 09
Once music is unleashed and we can stop the dinosaurial fight for the simple privilege of having access to it, distribution ceases to be a barrier to entry: All music, all artists, and all writers will be in those pipelines. Then, however, artists and their representatives will be facing the real challenge: getting anyone to pay attention to them, and surviving in this world of “digital Darwinism”.
— Gerd Leonhard, Music 2.0 Ebook, Page 43
Tags: distribution
Themed by Hunson. Originally by Josh